R type

All

PIC

Lilith

2016/10/29

PIC

Art Light 2

2015/12/21
カテゴリを追加

PIC

Art Light

2015/12/20

PIC

HOT FIELD 2015

2015/08/22

PIC

HOT FIELD 2015

2015/08/22

PIC

AUDIO 2015

2015/07/20

PIC

lilith

2015/07/10

PIC

MAZRI の祭

2015/06/14

PIC

春風2015

2015/03/28

PIC

春風2015

2015/03/28

PIC

Maitreya 2015

2015/03/14

PIC

Vitamin Q 2015

2015/02/21

PIC

Arthcamp

2014/11/04

PIC

Grass Roots

2014/11/01

PIC

Biction # OLEO

2014/09/01

PIC

Hot Field 2014

2014/08/30

PIC

Hot Field 2014

2014/08/30

PIC

Black Opella

2013/12/31

PIC

LiLith

2013/09/27

PIC

ancestor 2013

2013/09/14

PIC

ancestor 2013

2013/09/14

PIC

Hot Field 2013

2013/08/24

PIC

Hot Field 2013

2013/08/24

PIC

Exchange

2013/05/18

PIC

Black Tereer

2013/04/06

PIC

Vitamin Q 2013

2013/02/23

PIC

Vitamin Q 2013

2013/02/23

PIC

Vitamin Q 2013

2013/02/23

PIC

Rainbow 2000

2012/10/06

PIC

Rainbow 2000

2012/10/06

PIC

Hot Field 2012

2012/08/24

PIC

Hot Field 2012

2012/08/24

PIC

Hot Field 2012

2012/08/24

PIC

Vitamin Q 2012

2012/02/25

PIC

Vitamin Q 2012

2012/02/25

PIC

Ancestor 2011

2011/09/10

PIC

POWWOW

2011/05/07

PIC

Shinkoen

2010/09/04

PIC

LiLith

2010/05/14

PIC

Yabai -man

2008/08/09

PIC

Yabai -man

2008/08/09

PIC

Fractal Vision

2008/04/26

PIC

Fenix

2007/07/14

PIC

BAKUTO

2007/06/15

PIC

Macao New Year

2007/01/01

PIC

BAKUTO

2006/06/15

PIC

BAKUTO

2006/06/15

PIC

Flower of Life

2005/11/26

PIC

Sputnik

2005/08/27

PIC

petroid

2005/08/15

PIC

Dragon

2005/07/16

PIC

Flower of Life

2004/10/15

PIC

kumo monstar

2004/09/18

PIC

Free Sessions

2004/09/18

PIC

Atomic ball

2003/05/15

PIC

Sound object

2003/05/15

How to Use This Archive

All entries in this archive are arranged in reverse chronological order, beginning with the most recent events from 2017 and extending back to 2001. Each line contains the event or project name, followed by the date in YYYY/MM/DD format, and where relevant the specific stage, venue, or sub-event appears in parentheses or after a slash. This structure allows quick scanning by year and month without opening separate pages.

Because multiple performances, installations, or stage appearances can occur on the same day, you will notice that some dates repeat three or more times. For example, Subsonic Festival 2016 and Symbiosis Gathering 2016 each appear several times with different stage or project labels. Treat these repeated entries as distinct works rather than duplicates. Use the browser search function to locate a specific festival name, a date, or a Japanese term such as 六本木アートナイト or アップサイクル.

For older periods, some entries include only the date without a detailed venue, while others include bilingual titles, such as Roppongi Hills Artelligent Christmas 2016/六本木ヒルズ アーテリジェントクリスマス. The archive does not impose a single taxonomy, but you can group entries mentally by season, country, or art form. All material listed here is part of a continuous record of live events, installations, and collaborative projects.

Seasonal Recurrence and Festival Patterns

Many Japanese festivals appear annually in this archive, often at predictable times of year. Summer is dominated by large outdoor music events such as Fuji Rock Festival, Summer Sonic, and Re:birth Festival. Spring and autumn bring art-focused gatherings like Roppongi Art Night and Theater In Museum, while winter includes Count Down Japan and Roppongi Hills Artelligent Christmas. These recurring entries show a consistent presence across multiple years.

The following seasonal pattern emerges when the list is examined by month:

  • Spring (March–May): Art installations, museum theater, and smaller outdoor sculpture projects, including Sculpture @ Ushimado and Sustainable Gateway Object @ yamamizuki.
  • Summer (June–August): Major music festivals and all-night stages, such as Fuji Rock Festival All Night Fuji, Summer Sonic, and Earth Frequency Festival in Australia.
  • Autumn (September–November): Transformational and club-oriented events, including PITCH FESTIVAL, Lilith, and BACARDI Over the Border @ tokyo.
  • Winter (December–February): Count Down Japan, Artelligent Christmas, and New Year gatherings, often with multiple entries on the same date.

Repeated entries for a single festival on the same date usually indicate separate stages or distinct creative roles, such as a live set and an installation. This pattern is especially clear for Subsonic Festival 2016, where three separate lines under the Pizza Lab Stage show the same weekend from different moments. Viewers can use these repetitions to trace how a single event unfolds across space and time.

International and Transformational Gatherings

Beyond Japan, the archive includes a significant number of transformational and outdoor festivals held in Australia and the United States. Earth Frequency Festival, Maitreya Festival, and Subsonic Festival appear repeatedly across 2015 and 2016, often with three or more entries per event. These gatherings typically combine music, visual art, workshops, and sustainable living, and the archive reflects that multi-disciplinary character through multiple dated lines for the same festival.

In the United States, Symbiosis Gathering 2016 is recorded three times, indicating multiple stages or installations within a single edition. Strawberry Fields Festival 2017 in Australia is represented by the All SAKE BAR @Strawberry Fields Festival 2017 entry, showing a specific bar or stage takeover rather than the entire festival. Similarly, BACARDI Over the Border @ tokyo documents a branded club night in Tokyo, bridging international promotion with local club culture.

These international entries do not replace detailed event reports; they serve as a chronological index that connects the same artist or collective to gatherings across different continents. By comparing dates, you can see how outdoor festival seasons in the southern hemisphere (February and March) overlap with Japanese winter events, creating a nearly continuous global calendar.

Art Installations and Upcycle Projects

Not all entries are music performances. A substantial portion of the archive is devoted to visual art, installations, and sustainable design. Upcycle Art frame アップサイクル アート フレーム from 2016/11/01 is one example of a material-based workshop or finished piece that uses reclaimed materials. Sculpture @ Ushimado and Sustainable Gateway Object @ yamamizuki similarly record site-specific three-dimensional works placed in natural or architectural settings.

Theater In Museum appears three times in April 2016, indicating a repeated performance or installation series within a museum context. Lilith from October 2016 may also belong to this category of non-festival creative output, though the exact medium is not specified in the archive list. These entries show that the body of work spans gallery shows, public art, and temporary installations, not just live stage events.

Many art-related entries include Japanese titles alongside English ones, such as Roppongi Hills Artelligent Christmas 2016/六本木ヒルズ アーテリジェントクリスマス, which documents a large seasonal light and art program. By placing these alongside music festivals, the archive presents a unified record of creative practice across disciplines, from upcycling and sculpture to all-night DJ sets and museum theater.